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MICETrade show stand2026

Objective measurement of Amadeus's eight sessions at FITUR 2026

180 m² in Hall 12 at IFEMA and eight Ágora sessions across the three professional days. The question: which messages actually landed with the audience.

Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026
The Ágora audience follows a session with headphones at FITUR 2026.
Amadeus
MICE
Trade show stand
2026

Amadeus brought a 180 m² stand to FITUR 2026, the international tourism trade fair held at IFEMA Madrid, produced together with Beon Worldwide: two private meeting rooms, a working table area, a space for Voxel and an Ágora presentation area. Eight sessions ran there across the three professional days of the fair, which drew 155,000 accredited visitors. Amadeus measured that area with Emogg Experience. First engagement with Emogg, and Emogg's first project at FITUR.

Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026
IFEMA's halls during the professional days of FITUR 2026.

How do you know which messages actually landed with the audience, when all you have is the speaker's impression and a headcount?

Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026
A speaker at Amadeus's Ágora.

Audience response across the eight Ágora sessions, session by session and minute by minute, cross-referenced with a transcript of the content. Each session yielded two headline readings — focus, the audience's sustained attention, and valence, the direction of that response — plus a breakdown of the experiential indicators across the full timeline, pinpointing the exact moment each one rises or falls. The two headline readings were used to build a matrix placing each session against the average behaviour of the set, sorting content into four archetypes according to how attention and mode of reception combine.

Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026
A standard camera integrated into the stand structure.

Yes — and it surfaced something the room does not give back: attention and ease of reception did not line up. The session that held the most sustained attention was also among those the audience received with the most weight, while the best-received session settled at mid-range focus. Almost twenty points separated the session that held attention best from the one that held it least. And one pattern ran through all eight: focus rose whenever the content connected to a concrete business decision, and fell through descriptive or tactical stretches.

Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026
Minute-by-minute response curves in the dashboard.

The Event Management team — which commissioned the measurement — and the Marketing team had, for the first time, an objective reading of each session's impact, including the specific moments where the audience entered and left the content. The archetype classification gave them a comparable basis for deciding which formats and angles to repeat, and which need adjusting in pace or structure.

Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026
Session-by-session readings in the Emogg dashboard.
Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026Audience wearing headphones during a session at Amadeus's Ágora, FITUR 2026
The Amadeus stand in Hall 12 and the Ágora audience: eight sessions measured as a single journey.

Emogg's solution uses no biometrics and no individual profiling: it measures the group's response, not individuals.

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What those who already measure say

Oriol Serra
“Emogg allowed us to capture and share the key moments of the Assembly based on the emotions of our members.”

Oriol Serra · Cluster Manager · INDESCAT

  • No stored images

    All data is computed in real time during the event; no images or videos are stored.

  • Aggregated data

    Results describe the audience as a whole, never individual people.

  • No identification

    No one is identified, recognised or profiled. It measures flow, not people.

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